- #Avid media composer 5 1080p#
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To use PhraseFind, simply open Find and type in the word or phrase you want to locate. The big difference is that Get works outside of an NLE, whereas PhraseFind is directly integrated into Media Composer’s interface as part of the newly enhanced Find tool. It’s similar to AV3 Software’s Get application, since both are powered by the Nexedia dialogue search engine. This is a dialogue search tool based on phonetic analysis of the audio tracks.
#Avid media composer 5 install#
Since this control displays a “custom/default/load” control, I presume that in the future we’ll see the ability to install display LUTs (look-up tables) for cameras like the ARRI ALEXA.Īvid Media Composer 5.5 has introduced one major, new “marquee” feature – PhraseFind. Now it can also be used to scale levels for RGB or Rec. AMA support enables direct access to the file-based media along with the associated metadata.Īnother AMA enhancement will let users select between video level options in an updated Source Settings control, first introduced for RED camera raw files. This new codec will be used by Sony in tapeless versions of its HDCAM-SR camcorders. New is support for Sony’s upcoming HDCAM-SR Lite and SR SQ codecs, although the plug-in hasn’t been released yet.
Media Composer 5.5 currently supports RED, XDCAM, P2, GF (Ikegami) and XF (Canon) in addition to most QuickTime variants. By keeping them separate, it allows users to stay on top of the most recent versions of the plug-in offered by the manufacturer.
#Avid media composer 5 download#
The various camera plug-ins must be separately installed, but are available from Avid’s or the manufacturers’ download sites. The default installation only includes Avid’s QuickTime plug-in (ProRes, H.264, uncompressed, etc.). Media Composer 5.5 changes the installation routine for AMA – Avid’s native camera plug-in architecture. This adds multi-channel audio support to Media Composer on workstations where both applications are co-installed.
#Avid media composer 5 pro#
Now in this 5.5 release, Media Composer can utilize Pro Tools audio interfaces for audio i/o. You can install them both on the same system (but not open at the same time). The only issue seems to be an intermittent tendency to loose EUCON communication over Ethernet, which is often fixed by unplugging and replugging the Ethernet cable to the controller.Īvid Media Composer and Pro Tools play more nicely together these days. If you love tactile surfaces, these units are for you. Media Composer support for the Artist Color panel, which is supported by Foundry Storm, Autodesk Smoke and Apple Color, didn’t quite make it into this release. Windows and Mac versions are supported and include the Artist Control, Artist Mix and Artist Transport controllers. Thanks to the acquisition of Euphonix, Avid Media Composer has adopted the EUCON protocol, permitting the use of the rebranded Avid Artist control surfaces with Media Composer 5.5.
This add-on is targeted towards broadcasters and anyone who has made a heavy investment in P2 equipment. This enables built-in AVC-Intra encoding and decoding for real-time, multi-stream AVC-Intra timelines. New this year is a hardware module for the Nitris DX chassis that specifically accelerates AVC-Intra workflows. The Avid Nitris DX chassis was designed with expansion in mind. The latency common with hardware/software combos used in competing NLEs is almost nonexistent with Mojo DX and Nitris DX. Both Matrox and AJA provide cost-effective, third-party alternatives to the Avid systems however, speaking from personal experience, if your budget can justify it, the Avid Nitris DX still offers the best performance overall.
#Avid media composer 5 1080p#
It gains additional format support for SD and HD 23.98fps projects, as well as the ability to switch between 1080P and 1080PsF outputs. The Matrox MXO2 Mini hasn’t been left out of this upgrade. The Matrox unit is ideal for simple monitoring, but the AJA Io Express extends the functionality to include SD and HD capture over SDI under Media Composer control. The other hardware choices still include the Matrox MXO2 Mini, as well as Avid’s own hardware – Avid Mojo SDI, Mojo DX and Nitris DX. The big standout of the Media Composer 5.5 release is the addition of AJA Io Express as a capture and output solution. The most recent version, 5.0.3.8, is very stable and has been tweaked to adjust the behavior of some of the newest features, like Smart Tool, in an effort to respond to customer input. That release demonstrated a major retooling, which drew mixed reviews from veteran Avid editors. Avid Media Composer 5.5 (and the associated Symphony and NewsCutter versions) marks a continued openness starting with the release of Media Composer 5.0 last year.
#Avid media composer 5 update#
Avid was first out of the gate in the run-up to NAB with its release of the Media Composer 5.5 update for this flagship NLE product line.
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